Main menu:

 

Image of The Longest Week: What Really Happened During Jesus' Final Days

THE LONGEST WEEK
Buy it now at Amazon!

books.gif

For a full range of books by Nick and Claire Page, visit our online bookstore.

Nick’s Speaking Diary

26 July - 2 August: Le Pas Opton, Vendée, France

Nick’s Tweets


Nick Page's Facebook Profile

Site search

  • Recent Comments:

    • Alan Donnelly: I think you’re absolutely right. It’s a moderately subtle way of putting distance between...
    • Tim Bushell: Books in the Mind, Body & Spirit section will end up with a single warning: “may contain...
    • Revsimmy: Oh, I get it – it’s a Study Bible?
    • Mel Menzies: OK – send the dosh to ….
    • Mel Menzies: A Michelangelo of a man, Nick Page’s blog is only surpassed by the Saint Peter’s Basilica; a...
  • Categories

    Archive

    Stuff

    Powered by Laughing Squid

    Byzantine Church

    I’m just on my way back from the wonderful Byzantium exhibition at the Royal Academy. (It was work-related. No, really.) Here’s a bit that struck me about the experience of visiting a Byzantine church:

    “Processions with crosses, icons, ornamented Gospel-books and portable textiles were a feature of the church’s year. Services were long, the liturgy dramatic and the atmosphere full of incense. All chant was in a male voice, without instrumental accompaniment.”

    Not really my experience of church – even in the High Churches I’ve occasionally visited. (Mind you, I have been in plenty of churches where everything was in a male voice.) I suppose you couldn’t visit a Byzantine church without realising that you were something very small and the church was something very powerful. I’m not sure we’d settle for that nowadays, nor, even, that such an atmosphere reflected the beliefs of the Early Church. But I was struck by the theatrical, ‘dramatic’ nature of their worship.

    Any low-church Byzantines out there care to suggest how it might be achieved?

    Blogged with the Flock Browser

    Write a comment